Wednesday, 15 October 2014

Double Drama - 16th September 2014

We started to look at the practitioner Antonin Artaud, when we first entered the classroom there was creepy music playing, which I felt kind of set the atmosphere. We then had our hands tied with marking tape without any explanation of why this was happening and sir just started the lesson of explaining who Antonin Artaud was. I learnt that, like Pina Bausch, Anton was very extreme in his methods of drama but where Pina Bausch focused solely on her performers experience Antonin Artaud also included the audience in the experience, i.e. he will ‘kidnap’ them and ‘hold them hostage’ during the performance so they will get a real experience like no other. I understood what Artaud was saying when I broke out of the binds and not having full control, especially when I ran blindfolded towards a wall with the rest of the class only there to stop me and when sir ran at me full pelt, the total lack of control gave me a fear that a regular performance can’t give me and I had a real reaction of jumping out the way.

After understanding why Artaud thought like this and having an experience of it, we then went under the stage, split into two groups and we tried to see who could creep the other group out the most. I was blindfolded, grabbed and yanked into the room where I was touched up by a broom followed by a rope whilst hearing loud bangs occasionally. It was terrifying, I got sweaty and my heart rate rose, it was an amazing experience, and for that reason I wish to incorporate that into our performance of ‘Alice in Wonderland’.

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